Zak Barnett Studios hosted an invite-only event last week celebrating the first-ever book of its kind LGBTQ Comedic Monologues That Are Actually Funny, out now from Hal Leonard Books Applause Theatre & Cinema Books. I MC’d as top-notch LGBTQ actors & their allies read monologues from the book.
The piece that I wrote, Sugar Coat It, was performed brilliantly by three-time Tony award nominee Kevin Chamberlin — which made me swoon. Wilson Cruz (My So-Called Life, Rent on Broadway), the Comedian Comedian Ant, Danielle Macdonald (The East, Every Little Thing) , Daryl Stephens (Noah’s Arc), Jai Rodriguez (Queer Eye for a Straight Guy, Rent), Kiff Scholl (Reno 911, Criminal Minds), Emmy- and Grammy-winner Alisha Gaddis (also the editor of the book), and moi also performed.
Post performances, Zak Barnett (who I am honored to call an old friend) moderated a lovely, raw, and timely-all-over-again discussion about the import & intersection of art & activism. #loveislove
Pics courtesy of Lucianna Faraone Coccia and Wire Image.
Three-time Tony nominee Kevin Chamberlin
“The Horror Just Out of Frame” is about how my personal Horror story unwittingly became a part of our collective Horror story when “The Blair Witch Project” was shot in Burkittsville Union Cemetery, where my sister is buried literally just outside the frame.
I promise it’s poignant — yet funny! Thanks to FreakSugar for having me back. Happy Halloween!
Tomorrow I’ll be performing a new monologue I’ve penned, “The Horror Just Outside the Frame,” at Samuel French Bookshop’s 2nd Annual Halloween Monologue-a-Looza. This piece, written first as an essay, talks about how my personal Horror story unwittingly became a part of our collective Horror story when “The Blair Witch Project” was shot in Burkittsville Union Cemetery, where my sister is buried — literally just outside the frame.
The Samuel French Theatre and Film Bookshop is celebrating 65 years in Hollywood as the West Coast’s premier Theatre and Film Bookshop, and I’m honored to be performing there. Please come if you can, and click here for details.
I talk figure skating & bringing the funny with FREAK SUGAR in support of
#LGBTQ Comedic Monologues That Are Actually Funny, out now from Applause Books.
Proud to have a monologue, “Sugar Coat It” included in the first-ever book of its kind, #LGBTQ COMEDIC MONOLOGUES THAT ARE ACTUALLY FUNNY, now available from Hal Leonard Books and Applause Theatre & Cinema Books. Scroll down for the scoop & click to order on Amazon. #loveislove
The first-of-its-kind book, LGBTQ Comedic Monologues That Are Actually Funny, is out now from Applause Theatre & Cinema Books, part of the Hal Leonard Performing Arts Publishing Group. For many years, actors have bought anthologies of monologues to use for auditions, but LGBTQ Comedic Monologues That Are Actually Funny is the first and only book specifically tailored for actors auditioning for LGBTQ roles.
Edited by Emmy- and Grammy-award winner Alisha Gaddis (Lishy Lou and Lucky Too), this hysterical, cutting-edge monologue book features works by LGBT writers and comics, and their allies, who have written and/or performed for Comedy Central, Backstage magazine, NBC, the Huffington Post, the Onion, Second City, E!, and many more. LGBTQ Comedic Monologues That Are Actually Funny (224 pages, $14.99) is the sixth book of monologues Gaddis has edited in the Applause Acting Series of Monologues That Are Actually Funny.
I am incredibly grateful to have worked for three of the top 11 directors on this list of The 50 Best Commercial Directors in the World — and I’ve worked for one of them twice. Wow. Humbled. #luckyduck
The following article was originally written for Turner Broadcasting (2009), and is posted here as a writing sample.
The Hush-Hush Perils of Small Boobs
My Dad told me not to ice skate in backless leotards. He said that if I didn’t wear a bra, one day my boobs would sag. I scoffed. Like most female athletes, I was (and am) small-boobed. My 34A and me were shiny-happy, looking forward to a long life of halter tops and vintage Halston.
Well, every teenager lives in a bubble of some kind until one day it bursts like a cherry on prom night. My bubble was literally frozen, as it housed 300 square feet of Olympic ice. Eschewing the Je-m’appelle-Gypsy-Rose-Lee outfits figure skaters inexplicably wore, I took to the ice only in dance gear. My uniform: Pop! Six! Squish! seam-up-the-back Bob Fosse tights and the afore-mentioned, structurally unsound leotard, angsty black. My father’s advice was blithely ignored because he, a man, could not possibly know more about my breasts than I did. (To be clear, I was a teenager and he could not possibly know more about anything than I did.)
Fifteen years later, my mammaries are all alone in the moonlight, the star of their own low-rated, scientifically-sponsored Estrogen Channel dramedy. Hindsight’s a two-fold bitch. It seems that my Dad, with four daughters and two wives, knew nothing if not boobs and their inevitable downward mobility. The women in my family are blessed with many a perky feature, not one of which could be called “tit.” I’ve seen my beloved elders in the buff, and I can read the handwriting on the wall. (Actually, it’s a pictograph and it bears a striking resemblance to South Park’s Ms. Diane Choksondik.)
The second adolescent lesson I failed to learn was, understandably, in Physics. Despite my ability to harness the very laws of science and the universe to defy Earthly gravity or walk on (frozen) water, I failed to grasp their true power. Apparently, the tremendous torque and thrust of figure skating are violent enough to decimate any burgeoning bosom from the infrastructure out. One more Salchow and my chest would have looked like Bessy’s udders.
Now, chastened by time and a tailored wardrobe, the arrogance of my youth has come to haunt me. Betwixt genetics and athletics, I am doomed to spend tomorrow and tomorrow and tomorrow buttressed and cantilevered by a bra so technologically advanced it has been code-named Wonder. When I walk into a room I want to pick jaws up off the floor, not my tits.