Tomorrow I’ll be performing a new monologue I’ve penned, “The Horror Just Outside the Frame,” at Samuel French Bookshop’s 2nd Annual Halloween Monologue-a-Looza. This piece, written first as an essay, talks about how my personal Horror story unwittingly became a part of our collective Horror story when “The Blair Witch Project” was shot in Burkittsville Union Cemetery, where my sister is buried — literally just outside the frame.
The Samuel French Theatre and Film Bookshop is celebrating 65 years in Hollywood as the West Coast’s premier Theatre and Film Bookshop, and I’m honored to be performing there. Please come if you can, and click here for details.
The first-of-its-kind book, LGBTQ Comedic Monologues That Are Actually Funny, is out now from Applause Theatre & Cinema Books, part of the Hal Leonard Performing Arts Publishing Group. For many years, actors have bought anthologies of monologues to use for auditions, but LGBTQ Comedic Monologues That Are Actually Funny is the first and only book specifically tailored for actors auditioning for LGBTQ roles.
Edited by Emmy- and Grammy-award winner Alisha Gaddis (Lishy Lou and Lucky Too), this hysterical, cutting-edge monologue book features works by LGBT writers and comics, and their allies, who have written and/or performed for Comedy Central, Backstage magazine, NBC, the Huffington Post, the Onion, Second City, E!, and many more. LGBTQ Comedic Monologues That Are Actually Funny (224 pages, $14.99) is the sixth book of monologues Gaddis has edited in the Applause Acting Series of Monologues That Are Actually Funny.