I was lucky enough to get to go the opening of the Pasadena Playhouse-Deaf West production of Thornton Wilder’s classic, OUR TOWN, thanks to O RÉJANE Stage Manager Emily Abbott. I bawled through the back half of the play because, especially in these trying times, it hit home loudly and starkly.
“Let’s really look at one another…It goes so fast.” — Thornton Wilder, OUR TOWN
And go look at the production, too, if you can. Thanks to Earl Gibson III for snapping this pic.
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So excited to be in the new Drake Doremus film NEWNESS, written by Ben York Jones, alongside the likes of Nicholas Hoult, Danny Huston, and Laia Costa. This bunch was an absolute pleasure to work with, if only for a short time. And Surprise! the film is headed for Sundance quickity split… THE HOLLYWOOD REPORTER has the scoop.
Nicholas Hoult and Laia Costa appear in Newness by Drake Doremus, an official selection of the Premieres program at the 2017 Sundance Film Festival. Courtesy of Sundance Institute.
Watch 3-Time Tony Nominee Kevin Chamberlin read my monologue SUGAR COAT IT at the Zak Barnett Studios S.E.A. Talks – Backwing: A Performing Arts Community event in support of LGBTQ MONOLOGUES THAT ARE ACTUALLY FUNNY. Wilson Cruz and Darryl Stephens perform pieces by Leah Mann and Alisha Gaddis perform her own pieces — all brilliantly. These, and more, monologues were followed by a heartening ZBS S.E.A. Talks discussion on the intersection of art & activism.
Click here to watch the hilarious video on THE ADVOCATE.
Actors read one page from my new, as-yet-untitled play — best described as a rom-com NO EXIT — at the LAFPI 2nd Annual Holiday Micro Reads Hook Up. ‘Twas the season to read new work!
Proud to have a monologue, “Sugar Coat It” included in the first-ever book of its kind, #LGBTQ COMEDIC MONOLOGUES THAT ARE ACTUALLY FUNNY, now available from Hal Leonard Books and Applause Theatre & Cinema Books. Scroll down for the scoop & click to order on Amazon. #loveislove
The first-of-its-kind book, LGBTQ Comedic Monologues That Are Actually Funny, is out now from Applause Theatre & Cinema Books, part of the Hal Leonard Performing Arts Publishing Group. For many years, actors have bought anthologies of monologues to use for auditions, but LGBTQ Comedic Monologues That Are Actually Funny is the first and only book specifically tailored for actors auditioning for LGBTQ roles.
Edited by Emmy- and Grammy-award winner Alisha Gaddis (Lishy Lou and Lucky Too), this hysterical, cutting-edge monologue book features works by LGBT writers and comics, and their allies, who have written and/or performed for Comedy Central, Backstage magazine, NBC, the Huffington Post, the Onion, Second City, E!, and many more. LGBTQ Comedic Monologues That Are Actually Funny (224 pages, $14.99) is the sixth book of monologues Gaddis has edited in the Applause Acting Series of Monologues That Are Actually Funny.
I am incredibly grateful to have worked for three of the top 11 directors on this list of The 50 Best Commercial Directors in the World — and I’ve worked for one of them twice. Wow. Humbled. #luckyduck
I’m an official part of the 365 Women a Year: A Playwriting Project! I’m honored to be a part of this worthy, interesting and fabulous project — and to have written about Princess Iwa, a remarkable Maori singer. Check out my listing here.
…more about 365 Women a Year:
“This international playwriting project involves over 200 playwrights who have signed on to write one or more one-acts about extraordinary women in both past and present history. The project’s ambitious yet focused goal is to write women back into the social consciousness as well as empower and promote female playwrights around the country.”